Review: The Last Laugh at the Theatre Royal Brighton

In this show at the Theatre Royal Brighton Tommy Cooper (Damian Williams), Eric Morecambe (Bob Golding) and Bob Monkhouse (Simon Cartwright) are three comedic giants that define an age of comedy that is often overlooked in the contemporary sphere.

Paul Hendy’s interpretation of The Last Laugh allows each comedian to shine equally throughout the hilariously written theatrical piece, whilst brining a touch of humble humanity to each of the characters.

The final act of The Last Laugh production (Image: Ramy Abou-Setta / The Argus) Damian, Bob and Simon embody the comedy powerhouses in impeccable fashion – It genuinely felt as if the comedians were on stage. The chemistry, mannerisms, innuendo and physical comedy was executed to absolute perfection.

Whilst the piece encapsulated the pinnacle of mid-1900s comedy – Hendy’s writing allowed for an understanding of distinct forms of comedy whilst exemplifying their own merit.

Tommy was “just funny” – He was funny through simply being himself and “not thinking” but “being funny”, use of timing, face cues and playing the fool – “If they don’t laugh the first time, the second laugh will be even bigger”

Erick – The impressionist, bubble of comedic energy who is balanced in his approach to comedy – His ukulele bits showcase him at his best.

Bob is considered the “master of proper jokes” as Tommy and Eric dubbed them – The thought-out punchlines that land as they should.

Though comedy was the name of the game, the production delved into each of their lives – Tommy and Eric’s health issues and alcohol addiction, Bob’s loss of his comedic duo Dennis Goodwin and his ill-health-stricken son.

The Last Laugh is a flawless production, that makes you laugh and cry, and reminds us that behind every comedian is a person who deals with the troubles of life like every single one of us.